Bright Wall/Dark Room

is creating a different kind of film magazine
Select a membership level
BW/DR Supporter
$1
per month
You will officially be a BW/DR Supporter, directly supporting independent media and paying writers to write interesting & wonderful things, which the internet needs more of, now more than ever. You'll also get special access to our new Reddit community, where we'll be discussing all things cinema & BW/DR!
BW/DR Member
Limited (10 of 200 remaining)
$5
per month

If you love movies, this is the tier for you. You'll receive an ongoing subscription to our site—with full access to all past issues & archives—plus, our staff will send you a personalized list of film recommendations each & every month! 

Includes

  • An ongoing monthly subscription to BW/DR (+ full access to all archives)
  • Four personalized movie recommendations every single month
  • Shout-out on social media
BW/DR Fanatic
Limited (3 of 7 remaining)
$25
per month
This deluxe membership tier gets you the ongoing subscription, access to all past issues & archives, monthly personalized movie recommendations—plus the ability to "gift" two annual subscriptions per year ($50 value) and pick a film for us to write about in an upcoming issue.

Includes
  • Monthly subscription to BW/DR (+ access to all archives)
  • 5 personalized movie recommendations every month
  • 2 free "gift" subscriptions
  • Pick a movie for us to write about in an upcoming issue

202

patrons

$1,049

per month

About Bright Wall/Dark Room

Bright Wall/Dark Room was originally started on a whim, borne out of a small seed of an idea floating through my head several years ago: how can we talk differently—more emotionally, more humanly—about films? There seemed to be this great and growing gap between the film criticism I was reading and this very real and tangible thing that films themselves actually do to each one of us, how they make us feel. Most critics—professional and amateur and everywhere in between—were quite proficient at writing a very specific kind of review, one that described the film’s basic plot, some of its performances, and whether they ‘liked’ it or not. But I kept thinking there had to be something other than this quick, streamlined, and often lifeless response to a medium that is—initially and essentially—an emotional medium, an art form that can immerse us more wholly in its world than any other form of entertainment available to us.

And so we created BW/DR, with the idea of gathering more personal and creative responses to films; a different lens on the medium, if you will. We didn’t want standard movie reviews on the site, so instead of seeking out proper film critics, we contacted novelists, poets, essayists, filmmakers, painters, and musicians, as well as a handful of trusted friends—people who could approach and engage with movies in new and interesting ways. And from that small kernel of an idea (and a whole lot of late nights spent at my computer), BW/DR has grown into the sprawling and fantastic community of writers and readers that it is today. In mid-2014, Matt Zoller Seitz, the editor-in-chief of RogerEbert.com, reached out to us and asked us to partner with them for a monthly feature. For the past two and half years, they've run an essay each month from Bright Wall/Dark Room on the front page of their site, one of the most well-respected film sites on the planet. We've gotten the opportunity to interview some of our favorite filmmakers, like Guillermo del Toro and Kenneth Lonergan. And two of our former editors, Lauren Wilford and Ryan Stevenson, wrote an amazing book, The Wes Anderson Collection: Isle of Dogs, just last year.

It's all been an absolute thrill for us, to say the least—but we still need to find a way to pay the bills (and our staff). We've been working on this labor of love for nearly 6 years now—and have put out 75 monthly issues to date—but we can't possibly keep this whole thing going without your support.

And so ou
r current goal, simply stated, is to continue to put out an online film magazine of the highest possible quality on a monthly basis and to find a way to make that sustainable—to pay not only our overhead costs but all of the hard-working & talented writers, editors, and artists that contribute to each issue as well.

We feel this is an exciting new model and opportunity for us, writers and readers alike. A way to prove to whoever is watching that a thing like this can actually work. That a few passionate people can start a site—simply and only for the love of something important to them and the desire to write about and wrestle with that thing in unique, personal, and interesting ways—and eventually grow that site out into a successful and profitable magazine without an ounce of compromise, outside meddling, or advertising influence of any kind.

How We'll Use the Money You Pledge:


Running-a-magazine business-type stuff:

Overhead costs & general business expenses (website hosting & maintenance, business licenses, marketing, etc etc)







Writers (Staff & Freelance)

We would ideally like to pay writers, staff or freelance, $75-$100 per published essay. Currently, we are able to offer $50.










Staff (Editor-in-Chief, Senior Editors, Associate Editors, Operations Manager)

These folks are the heart & soul of the whole thing, the engine that keep BW/DR running from month to month, allowing us to do all that we do. They all have real actual day jobs though, and  most of them have been doing this work for free for over 6 years on the side—and being able to actually pay them a little bit of money will allow them to stick around for a whole lot longer.


Artists (Brianna Ashby & Tony Stella)

Since 2013, we've been committed to using high quality, original artwork throughout each issue. Great artwork isn't cheap, though—and we want to be able to pay our wonderful artists marketplace rates for their unique contributions.






And that's basically it. If we can get those things mostly covered, we can keep Bright Wall/Dark Room going forever and ever. And, if we are able to bring in more than our $1500/month goal, we will use the additional funding to help expand the BW/DR universe (a term we literally just made up, but makes us happy to think about). This could include anything: more/special issues, an annual hardcover book of the year's best essays & illustrations, t-shirts & other merchandise, a BW/DR podcast, having the entire BW/DR Staff come to your house and sing songs to you and give you hugs and watch movies with you. 

We deeply appreciate all the support and readership so many of you have given Bright Wall/Dark Room over the years, and we sincerely hope you'll choose to throw a little money our way today and help us keep this whole thing going, wherever it may take us.

Thanks,

Chad Perman
Founder/Editor-in-Chief

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