The Lobbyistsis creating Music and Theater
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You will have our gratitude and blush when we shout out your name at concerts. You will be kept up to date every step of the way as we develop the project.
You will get to hear rough cuts of our new tracks as we build (compose) them. Every month, tune in to see how songs are evolving!
Your name will be listed on our list of official supporters for every workshop or presentation during the development of this project. You are holding us together the whole way, and we will be grateful for your support at every exciting stage.
You will get to hear rough cuts of our new tracks as we compose them.
The First Transcontinental Railroad
was the most ambitious industrial project of its time. In a way that can only be called American, it blended ambition, bravery, and resourcefulness with the exploitation of many and the enrichment of a select few. The Chinese Exclusion Act of 1882 was America's first law explicitly restricting immigration of a specific race and ethnic group. The law forbid all Chinese immigration, except certain rare cases, and was in effect until 1943.
We believe shining a light on this dark period in our nation's history will help illuminate the controversies and challenges we face today.
As a band, we create musicals that we like to call "concert-plays." A concert play is a concept album and a story smashed together onstage, where the band both tells the story and plays the music. It fuses the immediacy of live theater with the spontaneity of a concert. Music informs the story, and story inspires the music.
Check out the music from our first project, SeaWife, for which we were nominated for a Drama Desk Award for Outstanding Music -- alongside Andrew Lloyd Weber, Sara Bareilles, and Steve Martin.
Here’s the music video for one of our songs, Scary Night.
As a patron of The Lobbyists, you will help us raise development funds to handle the manifold costs necessary to the development of a theatrical and musical project.
Having space to write, rehearse and record our music costs a lot! For example, we need to rent studios that have drum kits to compose our music or rehearsal studio space for trying out the material and workshopping what we write.
It takes a lot of time to not only write our music, but also to craft it and weave it into the story. Composing and arranging a song to get performance ready generally takes about 20 hours of work. If you multiply 20 hours by the 6 of us.... that makes 120 hours of individual work per song alone.
Writing and rehearsing music takes a toll on our instruments: from restringing and caring for our guitars, banjos and mandolins to maintaining our fiddle bow, instrument upkeep costs are extensive.
Residency Applications, Promotion, Recording, etc...
We are applying to residencies, which would give us space and time to develop the play, as well as build our network and buzz. Applications have fees, whether we end up getting the residencies or not. For these applications, and for the promotion of the project along the way, we need to have quality recordings of our songs, and have promotional materials (like our Scary Night music video above, or the great band pictures for this Patreon page). These materials are crucial for us to get in the (best) door, remain on people's minds, and create a successful project.
We are so grateful for the help you will bring us as we work to make another project come to life and look forward to sharing The Railroad Project's development with you. Stay tuned for some sneak peeks as we continue to compose and create videos of our writing sessions and developmental process!
3 hours a week.
Once we reach this goal, we will start to post rehearsal videos and demo recordings for you to watch and listen to!